I don’t know if any of my readers are young people who aspire to be published writers one day, but if they are, let me point the megaphone directly at them — at you? — and give you a very specific message at max amplification: You cannot prevent the reader from interpreting what you write!!!!! Sometimes the reader (or viewer) will give you too much credit, find rhetorical or symbolic depths in your work that you never meant to put in there. I often think that the vast majority of Shakespeare criticism works in precisely that manner. Ol’ Billy-Boy was just trying to get paid, you know. He whipped his plays up carelessly, in hurried fashion, relying on whatever book happened to be in front of him at the time. There’s some evidence that a lot of the First Folio is basically a first draft. Obviously he was a genius; just as obviously, he was phoning it in half the time.
More often, however, the reader will obsess or fixate on a tiny piece of what you’ve written to the exclusion of the rest. This was the case with today’s piece on unequal enforcement. About twenty percent of the text deals with illegal/undocumented/whatever immigrants and their tendency to operate vehicles without the appropriate insurance. In doing so, I stepped on the third rail of the left-wing immigration fetish, so the bulk of the comments are about that twenty percent of the piece.
A few of the readers took me to task for not providing a more thorough overview of the immigration issue. A few others were disappointed that I’d resorted to what they felt were quick-and-dirty characterizations. The problem for me is that I completely agree with them even as I could not disagree more.