Before we begin today’s discussion, I have to get something off my chest. Long-time readers of this blog will recall my personal fascination with New Orleans, pursued through various visits and acquisitions. They may also recall my fondness for the David Simon show “Treme”. I’m not sure there is much, if anything, to improve about that show, but there’s one scene that really grinds my proverbial gears. It comes from Season One, Episode Five:
Producer: “Do you want to cut bass and drums first?”
Davis: “What is this band, Journey? Everyone in the big room, all at once, classic New Orleans R&B”
Producer: “Gonna have to call me Cosmo”
Why does that piss me off? Because Journey’s best-selling (and, frankly, just plain best) album, Escape, was recorded live in the studio. They didn’t split the musicians up and record them individually, the way Page did with Zeppelin or… well, pretty much every other arena-filling rock band did. Journey albums have a diamond-hard polish to them, but it’s mostly because the musicians involved are Just. That. Good. Even if their musical instruments are worthless.
Now you can argue that Steve Zahn’s character in “Treme” is meant to be an idiot, so perhaps that line in the script is meant to point out how stupid he is. ‘Twould be nice, but I doubt it. I think that David Simon just assumed that Journey did everything the way Steely Dan or the Doobie Brothers did, crafting pop confections one subtle ingredient at a time. He probably has no idea that Escape was recorded in six weeks, while Aja took ten times as long and cost about twenty times as much.
Which isn’t to say that Escape was not carefully produced, or that you can’t find a tremendous amount of tradecraft in it. Which brings us to the above video.